Top Ten Relaunch wishes
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- iggy101us
- I bought my first comics at Kwik-E-Mart
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But $65 > "crap".greg wrote:Last sale of Ultimate Spider-man #1 CGC 9.6 regular (red) = $65iggy101us wrote:Ultimate Spider-Man #1 regular and 1:100 white variant. The regular is still worth quite a bit.greg wrote:Name an important comic with a limited edition variant that has not turned the regular edition (more than half the total copies in print) into a second-class less-desirable book among collectors.
Last sale of Ultimate Spider-man #1 CGC 9.6 variant (white) = $400
Is anyone who owns the red REALLY not disappointed that it's not white? Seriously?
Originally the same price... 10 years later, not even close.
The "second-class, less-desirable" description still applies.

I do like variants from the collecting aspect. Just don't overdo it.
Going back to the original post, let's find out more about Armstrong's satchel.
- 400yrs
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That's a great idea, but I kind of hope that VEI is letting the artists keep them to sell for extra income. Isn't that incentive to work for a company and do good work?X-O HoboJoe wrote: If you'd like to give out prizes (such what the original intent of the *VALIANT (1991-1996)* premiums were) would OA from the issues themselves suffice?
- 400yrs
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Nah. Those books are popular because they are good. Make a good book and the regular #1 will be collectible.greg wrote:Why is a book like Bone #1 or Walking Dead #1 so popular 10 or 20 years later?
Because there aren't any "limited variants" for either book.
Examples of the regulars exceeding the variants are Invincible 1 and Chew 1 - both regular books are worth considerably more than the variants limited to 1,000.
- 400yrs
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Damn you and your catches!greg wrote:That's news to me... are you serious? (Were they released at the same time?)400yrs wrote:Examples of the regulars exceeding the variants are Invincible 1 and Chew 1 - both regular books are worth considerably more than the variants limited to 1,000.
No, they weren't exactly the same time. The variants were after the regulars (probably 6 months or so).
- Heath
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- BruceReville
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- greg
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400yrs wrote:Damn you and your catches!greg wrote:That's news to me... are you serious? (Were they released at the same time?)400yrs wrote:Examples of the regulars exceeding the variants are Invincible 1 and Chew 1 - both regular books are worth considerably more than the variants limited to 1,000.
No, they weren't exactly the same time. The variants were after the regulars (probably 6 months or so).


- Heath
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- 400yrs
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I don't know about flip books. They can be good as a supplement, but both Marvel and DC had to go back on back up stories recently.
If readers feel like they are being charged more for essentially a back-up story, there will be scorn. Whether sales are lost on that.....
If you are charging the same amount as a regular book and are just taking away ad space or something, then yeah. It could be a good spot to try out a new character or a spot to feature / tryout new writers and artists.
I like what Image and DC have been doing in previewing new books in the back of their comics.
If readers feel like they are being charged more for essentially a back-up story, there will be scorn. Whether sales are lost on that.....

If you are charging the same amount as a regular book and are just taking away ad space or something, then yeah. It could be a good spot to try out a new character or a spot to feature / tryout new writers and artists.
I like what Image and DC have been doing in previewing new books in the back of their comics.
- 400yrs
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The Rai / Magnus books were flip books with original Rai content. Image and Vertigo have been previewing pages from upcoming #1s so readers can get a sample of a new book.greg wrote:I wonder where they got that idea... oh yeah... Magnus #5!400yrs wrote:I like what Image and DC have been doing in previewing new books in the back of their comics.
Putting in an original story is nice, but putting in a preview of an upcoming issue would keep costs down and could help generate revenue on the new book. It's probably a bit more practical unless you have some artists who do good stuff, but want to get noticed and will work for free.
- Daniel Jackson
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- cjv
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1) Focus on continuity and story telling. What happens in one book should be mentioned/commented on/effect the stories in other relevant books. I hate it when Spider-Man fights a villain in NY and he destroys half of NY, only you don't hear about it at all in FF or Avengers.
2) "World outside your window". This means many things. Relatively realistic physics. Dead means dead. No "super alien technology". No "1800 alien races". No gods. No mystical. People aren't "used" to seeing super heroes. People don't wear spandex and capes to fight bad guys.
3) Focus on story OVER splashy art. Simple, realistic art that tells the story is fine. Don't need pin ups, splash pages every other page, women who look like they couldn't balance on two feet, etc.
4) Slow starting on, slow expansion. One thing that Valiant started off doing well was a slow buildup. Start with one or two books, get a good back story and character development, than add another book or two. Now, they have some backstory and well developed characters already, so they don't need to start AS slow. But if they start putting out 5 or 6 or 10 titles right away, I think they will be in trouble.
5) Focus on building the universe first. How/why does it exist? What is different from our universe? If it is an continuation of the Valiant Universe, tell as what has been happening in the interim.
6) Not every guest character, cameo appearance, or super powered being deserves their own title. Not all characters/groups can carry their own title.
7) Treat that fans right. New fans, and old fans. Gold books were cool, but they started to get out of control. Something to recognize fans, fan effort, is always fun. Not variants, which are sold in the marketplace, but things like the coupon issues. A free give-away 0 issue was great as well, which brings us to..
8) An early crossover event, like Unity, done correctly could really draw people in. Done poorly, and it will cement the doom. Correctly means focusing on the story, that it actually advances the universe. Poorly means you need to buy every issue to understand what is going on, or that it is a crossover just to be a cross over.
9) Publish on a set schedule.
10) Nod to the old. Recognize the past. Respect it, build on it, but don't be limited by it.
(BTW, I still think Pierce could come back and replace the Solar character as the "mother" of the universe. Just as Solar has his split personalities, "Good Pierce" could have split of "Sick, Mentally Deranged Pierce".
2) "World outside your window". This means many things. Relatively realistic physics. Dead means dead. No "super alien technology". No "1800 alien races". No gods. No mystical. People aren't "used" to seeing super heroes. People don't wear spandex and capes to fight bad guys.
3) Focus on story OVER splashy art. Simple, realistic art that tells the story is fine. Don't need pin ups, splash pages every other page, women who look like they couldn't balance on two feet, etc.
4) Slow starting on, slow expansion. One thing that Valiant started off doing well was a slow buildup. Start with one or two books, get a good back story and character development, than add another book or two. Now, they have some backstory and well developed characters already, so they don't need to start AS slow. But if they start putting out 5 or 6 or 10 titles right away, I think they will be in trouble.
5) Focus on building the universe first. How/why does it exist? What is different from our universe? If it is an continuation of the Valiant Universe, tell as what has been happening in the interim.
6) Not every guest character, cameo appearance, or super powered being deserves their own title. Not all characters/groups can carry their own title.
7) Treat that fans right. New fans, and old fans. Gold books were cool, but they started to get out of control. Something to recognize fans, fan effort, is always fun. Not variants, which are sold in the marketplace, but things like the coupon issues. A free give-away 0 issue was great as well, which brings us to..
8) An early crossover event, like Unity, done correctly could really draw people in. Done poorly, and it will cement the doom. Correctly means focusing on the story, that it actually advances the universe. Poorly means you need to buy every issue to understand what is going on, or that it is a crossover just to be a cross over.
9) Publish on a set schedule.
10) Nod to the old. Recognize the past. Respect it, build on it, but don't be limited by it.
(BTW, I still think Pierce could come back and replace the Solar character as the "mother" of the universe. Just as Solar has his split personalities, "Good Pierce" could have split of "Sick, Mentally Deranged Pierce".
- wrunow
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Very well said, great postcjv wrote:1) Focus on continuity and story telling. What happens in one book should be mentioned/commented on/effect the stories in other relevant books. I hate it when Spider-Man fights a villain in NY and he destroys half of NY, only you don't hear about it at all in FF or Avengers.
2) "World outside your window". This means many things. Relatively realistic physics. Dead means dead. No "super alien technology". No "1800 alien races". No gods. No mystical. People aren't "used" to seeing super heroes. People don't wear spandex and capes to fight bad guys.
3) Focus on story OVER splashy art. Simple, realistic art that tells the story is fine. Don't need pin ups, splash pages every other page, women who look like they couldn't balance on two feet, etc.
4) Slow starting on, slow expansion. One thing that Valiant started off doing well was a slow buildup. Start with one or two books, get a good back story and character development, than add another book or two. Now, they have some backstory and well developed characters already, so they don't need to start AS slow. But if they start putting out 5 or 6 or 10 titles right away, I think they will be in trouble.
5) Focus on building the universe first. How/why does it exist? What is different from our universe? If it is an continuation of the Valiant Universe, tell as what has been happening in the interim.
6) Not every guest character, cameo appearance, or super powered being deserves their own title. Not all characters/groups can carry their own title.
7) Treat that fans right. New fans, and old fans. Gold books were cool, but they started to get out of control. Something to recognize fans, fan effort, is always fun. Not variants, which are sold in the marketplace, but things like the coupon issues. A free give-away 0 issue was great as well, which brings us to..
8) An early crossover event, like Unity, done correctly could really draw people in. Done poorly, and it will cement the doom. Correctly means focusing on the story, that it actually advances the universe. Poorly means you need to buy every issue to understand what is going on, or that it is a crossover just to be a cross over.
9) Publish on a set schedule.
10) Nod to the old. Recognize the past. Respect it, build on it, but don't be limited by it.
(BTW, I still think Pierce could come back and replace the Solar character as the "mother" of the universe. Just as Solar has his split personalities, "Good Pierce" could have split of "Sick, Mentally Deranged Pierce".
