New artists on Valiant relaunch?
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- jedimarley
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- jedimarley
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- Elveen
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did they have a strong story?jedimarley wrote:Did a strong story work for Dark Horse/Dark Key?Elveen wrote:I'd vote new blood. They will have to keep costs down. A strong story is what will keep the books selling.xodacia81 wrote:They should have a mix of vets, current "not quite-vets" and some new blood.
I thought is was just ok at the begining and (maybe) getting better at the end.
I read solar #1 and Magnus #1, I thought they were..... ok.
I guess for me, story is what matters.
- Ryan
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I think guys like Aja are perfect. The stories will keep people coming back, but creators with some name recognition will get new readers to pick them up in the first place.jedimarley wrote:Did a strong story work for Dark Horse/Dark Key?Elveen wrote:I'd vote new blood. They will have to keep costs down. A strong story is what will keep the books selling.xodacia81 wrote:They should have a mix of vets, current "not quite-vets" and some new blood.
Look at Dark Key/Atlas/Stan Lee's BOOM. A small dedicated fanbase isn't going to be enough to sustain a line. They need to reach more people.
- 400yrs
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Duane Swierczynski hasn't been writing much for Marvel lately.....Jay Tomio wrote:iggy101us wrote:Great call.Lightning Strike wrote:All good choices, especially Aja. His work on Iron Fist has been amazing. He'd be perfect on a book like Rai.Jay Tomio wrote:I was going to start a topic like this![]()
Mind you my choices are based on style I'd like to see in VALIANT or on particular characters not just based on who would bring instant money, I'm also not going to include people who really only (or mostly) do covers (Del Otto, Suydam, Bianchi etc ) My short list:
Gene Ha
David Aja
Shane Davis
John Cassaday
Joe Bennett


- jedimarley
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If all you read were Solar #1 and Magnus #1 how can you say they were "OK"???Elveen wrote:did they have a strong story?jedimarley wrote:Did a strong story work for Dark Horse/Dark Key?Elveen wrote:I'd vote new blood. They will have to keep costs down. A strong story is what will keep the books selling.xodacia81 wrote:They should have a mix of vets, current "not quite-vets" and some new blood.
I thought is was just ok at the begining and (maybe) getting better at the end.
I read solar #1 and Magnus #1, I thought they were..... ok.
I guess for me, story is what matters.
- jedimarley
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What is Aja's roll in this? Covers?Ryan wrote:I think guys like Aja are perfect. The stories will keep people coming back, but creators with some name recognition will get new readers to pick them up in the first place.jedimarley wrote:Did a strong story work for Dark Horse/Dark Key?Elveen wrote:I'd vote new blood. They will have to keep costs down. A strong story is what will keep the books selling.xodacia81 wrote:They should have a mix of vets, current "not quite-vets" and some new blood.
Look at Dark Key/Atlas/Stan Lee's BOOM. A small dedicated fanbase isn't going to be enough to sustain a line. They need to reach more people.
Interiors? Both? His name does carry some recognition, but how much?
- 400yrs
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No idea, but he typically does covers and contributes to interiors in some manner (usually collaberates with other pencillers on interiors). That would fit his his tweet as well.jedimarley wrote:What is Aja's roll in this? Covers?
Interiors? Both? His name does carry some recognition, but how much?
He carries some recognition. If we are talking grades, he's probably a B list artist.
- jedimarley
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B list artist for a C list publisher. Cool.400yrs wrote:No idea, but he typically does covers and contributes to interiors in some manner (usually collaberates with other pencillers on interiors). That would fit his his tweet as well.jedimarley wrote:What is Aja's roll in this? Covers?
Interiors? Both? His name does carry some recognition, but how much?
He carries some recognition. If we are talking grades, he's probably a B list artist.

- Elveen
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Easy, Because after I read #1 of both I thought they were OK.jedimarley wrote:If all you read were Solar #1 and Magnus #1 how can you say they were "OK"???Elveen wrote:did they have a strong story?jedimarley wrote:Did a strong story work for Dark Horse/Dark Key?Elveen wrote:I'd vote new blood. They will have to keep costs down. A strong story is what will keep the books selling.xodacia81 wrote:They should have a mix of vets, current "not quite-vets" and some new blood.
I thought is was just ok at the begining and (maybe) getting better at the end.
I read solar #1 and Magnus #1, I thought they were..... ok.
I guess for me, story is what matters.
- Ryan
- I would buy anything about these characters, sadly.
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Comparing him to the artists on DK/Atlas/BOOM he at least has SOME name recognition for the average comic reader.400yrs wrote:No idea, but he typically does covers and contributes to interiors in some manner (usually collaberates with other pencillers on interiors). That would fit his his tweet as well.jedimarley wrote:What is Aja's roll in this? Covers?
Interiors? Both? His name does carry some recognition, but how much?
He carries some recognition. If we are talking grades, he's probably a B list artist.
I find it encouraging that they're working with quality, experienced creators but not breaking the bank going for overpriced "big names" (ala Birthquake)
- leonmallett
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- jedimarley
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jedimarley wrote:June 1.....jedimarley wrote:From Aja's twitter account from May 20....Have not said it, but I'm drawing an issue of ************* with @********** written by @***********. Already did the cover, tho.
Yeah, true, some big releases this September, I think I will have two comics out.
You think... just maybe....I'm a big fan of Aja's work. He's top notch and way better than the quality of artist Dark Horse was using. His Iron Fist work was superb...
Jay Tomio wrote:
Although bleeding heart artist freaks will protest, the number of artists who actually moves book are minimal, and most of them are too big to be bothered or bring such a unique style that it may not fit a tight editorial setting (Alex Ross, Darwyn Cooke, Mike Mignola) or like a Jim Lee who are executives at their respective publishers. Not many artist left who sell books because of their presence, though I think two things can be accomplished.
1. You don't to look terrible or second rate. You want some recognition and quality.
2. If you have a respected cat in the industry...

- ian_house
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Thats one respected catyardstick wrote:Jay Tomio wrote:
Although bleeding heart artist freaks will protest, the number of artists who actually moves book are minimal, and most of them are too big to be bothered or bring such a unique style that it may not fit a tight editorial setting (Alex Ross, Darwyn Cooke, Mike Mignola) or like a Jim Lee who are executives at their respective publishers. Not many artist left who sell books because of their presence, though I think two things can be accomplished.
1. You don't to look terrible or second rate. You want some recognition and quality.
2. If you have a respected cat in the industry...

- leonmallett
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- Favorite artist: Clayton Henry
- Location: hunting down paulsmith56 somewhere in the balti belt...
Just out of curiosity, how was the Aja connection made, just from blanked out parts of a Tweet?
Were unblanked parts seen?
Has the 'someone saying something to someone' effect kicked in to support this?
If just the Tweet, could there be another reason for blanked out parts; perhaps a rigourous NDA with another publisher ahead of a massive reboot?
Were unblanked parts seen?
Has the 'someone saying something to someone' effect kicked in to support this?
If just the Tweet, could there be another reason for blanked out parts; perhaps a rigourous NDA with another publisher ahead of a massive reboot?
- X-O HoboJoe
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